Cameras

Canon has a fantastic lineup of entry-level DSLR cameras in their Rebel line. Canon is no slouch when it comes to mid-level cameras, either. With five different models falling within Canon’s “intermediate” category, there is plenty to choose from at nearly any price point.

This guide will cover the current mid-range models of Canon EOS DSLRs. Two things to note first: the Rebel T6s is considered intermediate, but we reviewed it in our Canon Rebel guide. And second, the Canon 70D has been replaced by the 80D, but is still available through many sellers at a great price.

Without further ado, here is Canon’s current lineup of mid-range/intermediate DSLRs.

Canon EOS 77D

The 77D is the lowest price mid-level (excepting the Rebel T6s), and it’s the most recently released. Its features put it somewhere between a Rebel T7i and the 80D. It’s a solid model, but nothing overly exciting.

Here are some of the key specs:

• 24MP sensor with Dual Pixel autofocus
• 45-point all-cross-type phase-detect AF system
• Digic 7 processor
• 3″ fully-articulating touchscreen LCD
• Top plate LCD
• 6fps continuous shooting
• 1080/60p video capture with microphone input

We like the AF system and the touchscreen, and the image quality is fantastic. However, it lacks the ability to capture video in 4K, which is very disappointing given both DSLR trends and the 77D’s status as a mid-range DSLR.

The 77D does feature Wi-Fi connectivity, which is a plus. The overall functionality of the touchscreen LCD is outstanding, and the top plate LCD is handy. In short, the EOS 77D is a good – though not great – camera.  If you’re looking for a bit more oomph, we recommend saving your dollars for an 80D.

Canon EOS 80D

The next step up from the 77D is the fantastic EOS 80D. It is under $1000 for the body, and it has a ton of excellent features. We chose the 80D as one of the best DSLRs for video in our review of the best DSLR cameras.

Here are a few of the specs on the EOS 80D:

• 24MP APS-C CMOS sensor with Dual Pixel AF
• 45-point AF system with all cross-type points
• 3″ 1.04M-dot articulating touchscreen
• 1080/60p video capture
• 7 fps continuous shooting with AF
• 7560-pixel RGB+IR Metering Sensor
• Weather-resistant body

Based on the specs and the price, you might think that this model was designed to appeal to a broad range of photographers. We would agree. The 80D works fantastic for a variety of shot types, and the sensor, AF, and design work well for everything from nature shots to weddings. It’s really a great buy, especially for an enthusiast upgrading their entry-level DSLR.

While it doesn’t have 4K video options, the 1080/60p capture is excellent. Regarding changes from the 70D, which it replaced, it absolutely matches and elevates performance and has additional features that make it a worthy successor. The body is comfortable and well-designed. Overall, we think this is one of the best mid-range DSLRs on the market.

Canon EOS 6D

The EOS 6D is the first of two full frame DSLRs in the mid-range category. It is essentially a “budget” full frame; for a nice price you can pick up a full frame DSLR that features Wi-Fi and GPS.

Let’s take a look at a few of the specs:

• 20.2MP full frame CMOS sensor
• DIGIC 5+ image processor
• ISO 100-25600 standard, 50-102800 expanded
• 4.5 fps continuous shooting
• ‘Silent’ shutter mode
• 1080p30 video recording, stereo sound via external mic
• 11 point AF system, center point cross-type and sensitive to -3 EV
• 63 zone iFCL metering system

One of the best parts of the 6D is its ability to focus in low light levels. It also has in-camera HDR and is ergonomically appealing. We’re fans of the LCD screen on the 6D. And the important stuff: the image quality is excellent.

There are two drawbacks to the 6D however. The first is that it only has one memory card slot. The second is that it lacks a built-in flash. If you can handle those missing features, this affordable full frame EOS 6D will impress the heck out of you.

Canon EOS 7D Mark II

The second full frame mid-level option, and Canon’s highest price point for intermediates, the 7D Mark II is an excellent choice for enthusiasts. It has made it to the top of many “Best” lists, and it remains a popular option for a mid-range DSLR.

Here are some of the exciting specs of the 7D Mark II:

• 20MP Dual-Pixel AF CMOS Sensor
• 10 fps continuous shooting with AF
• 65 all cross-type AF sensor
• 150,000 RGB + IR pixel metering sensor
• Dual Digic 6 processors
• Compact Flash (UDMA) & SD (UHS-I) slots
• USB 3.0
• Built-in GPS
• Shutter speeds up to 1/8000th seconds
• Shutter rated to 200,000 cycles (vs 150,000 on 7D)

The 7D Mark II captures gorgeous images and offers high ISO performance. It also features enhanced environmental sealing, making it an excellent camera to take out into the elements. The built in GPS is a nice addition, but the 7D Mark II lacks built in Wi-Fi (it’s only available with an adaptor).

The fixed LCD is one drawback in addition to the missing Wi-Fi. However, we still think it’s a great option for a move to full frame – and, while still priced high for a mid-range, it’s still a decent price for the specs and full frame sensor. The design is intuitive and comfortable, and it’s a well-loved DSLR by pros and new enthusiasts alike.

Canon’s Rebel series is one of the best known across the world. Several of the models are considered by many to be the best among entry-level options for DSLR cameras. There are numerous model numbers in the Rebel series, and it can be tricky to keep them straight. This guide will take a look at all of the current entry-level models of the Canon Rebel line.

The Solid Starter: Canon EOS Rebel SL2

The Rebel SL2 just came out, and it’s earning raves all around. It replaces the ultra-small, ultra-lightweight SL1 (one of the best rated entry-level DSLRs). It keeps the spirit of the SL1 in its compact and light design (though it is a bit larger), but adds a ton of features that make it feel much more relevant.

Here are the key specs of the Rebel SL2:

• 24.2-megapixel image sensor
• ISO 100-25,600
• 9-point AF system
• 3-inch vari-angle touchscreen display
• Dual Pixel CMOS AF during Live View and video recording
• Continuous shooting up to 5 fps
• DIGIC 7 image processor
• Full HD video recording at up to 60 fps
• Built-in Wi-Fi, NFC and Bluetooth

The improvements from the SL1 to the SL2 are really notable. The sensor is much improved, and the addition of the touchscreen and movable screen help it be both functional and highly usable for new shutterbugs.

Most users coming to the SL2 are likely not upgrading from the SL1, so the improvements in the new model really don’t mean much. So we’ll say this: if you’re looking for a user-friendly, lightweight, and affordable DSLR, look no further than the SL2.

The Budget Beauty: Canon EOS Rebel T6

This model is the lowest price point of the current Rebel models (not to be confused with the T6i – More on that next up!), the T6 is a super affordable entry into DSLR cameras.

Here are some of the specs of the T6:

• 18 megapixel APS-C CMOS sensor
• ISO 100-6400
• 9-point AF system
• 1080/30p video capture
• Fixed 3″ 920k-dot LCD
• 3 fps burst shooting
• Built in Wi-Fi with NFC

The Rebel T6 will likely appeal to newcomers, especially those who simply cannot stomach the thought of spending so much on a camera. In that regard, this is a nice introduction to DSLR shooting and the price tag does give you room to add on gear or lenses.

If you are serious about shooting DSLR, though, we recommend spending a bit more for the SL2 (above) – you get more bang for your buck and lots of additions that will make a big difference in your photography. Having said that, if the T6 meets your budget needs, it will make a great camera to learn on.

The Essentially Mid-Level: Canon EOS Rebel T6i

Canon considers the T6i to be entry-level (they list it as “beginner”), but this baby is so great we think it deserves to be an honorary mid-level (“intermediate”) DSLR. Price wise, you are looking at a few hundred bucks more than the T6, but it’s just a bit more than the SL2.

Let’s take a look at some of the key specs:

• 24.2MP APS-C CMOS sensor
• 19-point autofocus system
• 7560 pixel RGB + IR metering sensor with skin tone detection
• 3″ fully articulating touchscreen LCD
• 5 fps continuous shooting
• 1080/30p video
• Wi-Fi with NFC

Looking at the specs, you’ll see a pretty huge difference between the T6i and even the SL2. Many reviewers have called the T6i the “best Rebel yet,” and it’s pretty easy to see why. The primary difference for many shoppers is going to be price. Because this camera is approaching the high end of entry-level DSLRs, the price might be the tipping point. Of course, we love the SL2, so you can’t go wrong there. However, if you have a bit of extra cash, it might be worth grabbing the T6i.

The Intermediate: Canon EOS Rebel T6S

Canon considers the T6s an “intermediate” DSLR. It’s nearly identical to the T6i with just a few other features added to it. The price is very similar to the T6i, as well.

Here are the specs:

• 24.2MP APS-C CMOS sensor
• 19-point autofocus system
• Hybrid CMOS AF III focus system (live view)
• 7560 pixel RGB + IR metering sensor with skin tone detection
• 3″ fully articulating touchscreen LCD
• Eye sensor for use with optical viewfinder
• LCD information display on top plate
• Quick control dial on rear
• 5 fps continuous shooting
• 1080/30p video
• Servo AF in live view
• Wi-Fi with NFC

So what’s the difference between the T6i and the T6s? The T6s is slightly more money through most vendors for one. In terms of features, the T6s has a top mounted LCD and a more customizable control dial. The T6s control pad has exposure compensation, a feature important to pros but not so much for beginners. And finally, the T6s can shoot video in HDR video.

These small differences might not alleviate the price difference for novice photographers. They will come in handy for intermediates and pros, though, and the additional price isn’t too terribly much more.

The Peak Entry-Level: Canon EOS Rebel T7i

The final Rebel model that is considered entry level is the Rebel T7i. While this is still under $1000, it has a high price point for a beginner DSLR. However, investing in this model gives you a ton of great specs and should minimize the desire to upgrade for quite some time.

Here are some of the key specs of the T7i:

• 24MP APS-C sensor with Dual Pixel design
• 45 point AF
• 1080p video at up to 60 fps
• Fully articulated 1.04M-dot rear LCD
• Built-in Wi-Fi with Bluetooth and NFC

Obviously, you’re getting quite a bit when you jump from any of the lower priced models to the T7i – most notably, the additional points of AF. The T7i also includes the connectivity features that are becoming standard in Canon DSLRs.

The T7i is responsive and the autofocus is the cross-type that Canon includes on the 80D. The clarity even at higher ISOs is great. And the design of both the body and controls is intuitive, comfortable, and easy to use for longer periods of time. This model is worth every penny if you can work it into your budget.

The Hasselblad H5D-60 Medium Format DSLR is the most expensive camera we have ever and probably will ever review. It’s so expensive that you – as many joking reviews will note – could have a huge down payment on a house, pay off student loans, or buy a very nice car for the price of this camera.

But here’s the thing:  this isn’t a camera that a semi-pro photographer or weekend shutterbug would ever need or want. But for professional photographers, the H5D-60 is the granddaddy of all DSLR cameras.

Here are the specs of this beast:

• 60 Megapixel Resolution
• 2 x 53.7mm CCD Sensor
• 0″ 24-Bit Color LCD w/ 460,320 Pixels
• True Focus II and Focus Confirm
• 16-Bit Color Definition
• Hasselblad RAW 3FR File Format
• Compatible with H-System Components
• DAC Automated Lens Correction System
• Digital Spirit Level
• Phocus and Lightroom 4 Software Included

This camera is designed for professionals in fashion, advertising, commercial, architecture, and so forth, so its design and functionality matches that core user. There isn’t much to say to convince a casual user or semi-pro to drop this kind of money on a camera.

All of this is to get to the point that, yes, we know this is a very expensive camera that is completely impractical 99% of the time. For those other times, however, here’s what to know.

The design of the H5D-60 is completely unique. There’s an aesthetic quality to the look of it, but the ergonomics are smartly laid out and intuitive. The back, lens, viewfinder, and viewing screen are all interchangeable. All the control functions you need are available for your hand as it holds the camera. It’s quick and easy to adjust settings as you shoot.

The image quality is what you would expect from an absolute top of the line DSLR. ISO performance is astounding, and images are crisp, detailed, and gorgeous. The True Focus AF is fantastic, of course, and the Focus Confirm means you don’t have to stop and check the focus.

The H5D-60 comes with Hasselblad’s processing software as well as Adobe Lightroom 4. Hasselblad Image Processing Architecture provides fast performance and transfer speed.

Aside from price, there’s nothing to dislike about this peak medium format DSLR. If it’s for you, you will get everything you need for your professional shots, and you will appreciate the design and layout overall. There’s simply no better professional camera on the market, so if you can get it, do. Hasselblad has a devoted following for good reason.

While it may be significantly less than the beastly H5D-60, the Hasselblad H6D-50C is still a very, very expensive camera. The price tag is likely to give many photographers a heart attack, and it’s unlikely that anyone other than pros will ever buy one. It’s also medium format, which is sort of the pinnacle of the pro photographer’s career – one that not everyone needs or wants, but that feels necessary for many at some point.

Having said all that, the Hasselblad H5D-60 is designed for professional photographers, and it is an excellent medium format camera. It’s for daily professional use when the highest quality output matters. It’s a tough, versatile DSLR that produces incredibly detailed images.

Here are some of the key specs:

• 50MP 43.8 x 32.9mm CMOS Sensor
• 16-Bit Color, 14-Stop Dynamic Range
• Hasselblad Natural Color Solution
• Full HD 1080p RAW Video at 30 fps
• ISO 100-6400, Shooting Up to 2.3 fps
• Shutter Speeds: 60 min to 1/2000 sec
• 0″ 920k-Dot Touchscreen LCD Monitor
• Dual CFast and SD Memory Card Slots
• Built-In Wi-Fi, USB 3.0 Type-C

The design of the H5D-60 is very different than most DSLR cameras. However, photographers find that it is comfortable to hold for long stretches of time. The physical controls on the body make sense in location and control – situated in positions for each of your fingers to easily adjust settings.

As you would expect at this price point, the picture quality is phenomenal. The camera is also very responsive and fast. It shoots Full HD 1080p video at 30 fps, which can be saved in Hasselblad RAW format for easy conversion and editing, in H.264 compressed format for even more flexibility. It does not have 4K video capabilities, however, so if you want that you’ll need to spring for the 100MP sensor.

Built-in Wi-Fi feels like a necessity for a pro camera of this magnitude, so it’s a good thing Hasselblad included it here. They also worked on power consumption, ensuring that it better utilizes battery life than older models.

Every feature you would expect from a professional medium format DSLR, and everything you would expect from Hasselblad is here. What this boils down to is this: there is nothing to regret if you pick up the H5D-60. For full-time pros who need the best possible quality and versatility, the H5D-60 is the camera for you. The Hasselblad name has something of a cult following, and this is due in large part to their attention to detail and consistent quality. If you can get over the price tag (it is probably tax deductible!), you’ll have yourself a professional medium format camera that will shoot the ultra high-quality stills and video you need it.

The D7500 is the new mid-range DSLR from Nikon. It replaces the D7200 and offers some great upgrades from that model, as well as many borrowed elements from some of their other cameras – including the well-loved flagship D500.

Let’s take a peek at some of the specs:

• 20.9MP APS-C CMOS Sensor
• 51-point phase detect AF with 15 cross-type sensors
• 8 fps burst for 100+ JPEGS or 50 Raws
• 180k-pixel RGB sensor for metering and subject recognition
• 3.2″ 922K dot tilting touchscreen LCD
• 4K Ultra HD and 1080p Full HD video with stereo sound, power aperture control, auto ISO, 4K UHD Time-Lapse and more
• In-camera batch Raw processing
• Built in Wi-Fi and Bluetooth
• Weather-sealing

Some of the new features include that 4K video capability, metering that matches the D500, and a tilting touchscreen. Enhanced sealing and a better grip round out the changes to the body and are welcome additions that make the D7500 feel like an upgrade.

The things it loses are worth noting, however. First, the loss of 3MP of resolution might seem troublesome, but it doesn’t matter because it doesn’t detract from the quality and it provides better speed. What is bothersome is the second memory card slot, as well as the elimination of the Ai indexing tab that allowed the older model to be compatible with some older manual focus lenses.

The sensor is paired with Nikon’s EXPEED 5 image processor, and Nikon made the smart decision to omit the low-pass filter. The D7500 features an ISO range of 100-51,200, with an unbelievable expanded range of 50-640,000.

The D7500 is just slightly lighter than the D7200, but the feel of the body is about the same. It still feels comfortable and stays that way for longer shoots. The optical viewfinder is bright and crisp, and it gives you a full view of the scene.

The built in Wi-Fi and Bluetooth features signal Nikon’s continued push to connect with the SnapBridge technology. However, as we’ve said with some past models that utilize SnapBridge, it’s still a bit buggy and unpredictable.

Conclusion

The Nikon D7500 is priced well for a thought out enthusiast/mid-range DSLR. It has exceptional speed, great low light performance, and competitive video features. It has some real improvements over the D7200 and older D7* models, and it would be a great upgrade model for a photographer looking to make the jump up from entry-level.

It has some important specs borrowed from the flagship D500 and will make an excellent addition to your camera bag.

The Canon EOS 1DX Mark II  is a professional DSLR that meets and exceed expectations based on the price point and the completion. It’s an all-around excellent camera that will appeal to everyone from photojournalists to wildlife photographers.

Here are some of the key specs of the 1DX Mark II:

• 20.2MP CMOS full-frame sensor with Dual Pixel autofocus
• 14 fps continuous shooting (16 fps in live view)
• 200+ shot buffer with Raw+JPEG (CFast 2.0)
• 61-point AF system with 41 cross-type sensors
• 360,000-pixel RGB+IR metering sensor
• Native ISO from 100-51,200 (expandable to 50-409,600)
• 4K/60p video in DCI format (4096 x 2160 pixels) using Motion JPEG
• 1.62 million dot LCD touch screen

The flagship DSLR offers Canon’s new full-frame sensor and Dual Pixel AF system. The AF system provides that 61 point system and 24% more coverage. With a bit more resolution, the 1DX Mark II produces gorgeous captures. The resolution balances with detail well at high ISO. However, Canon made the decision to include an AA filter to this model, which seems a bit out of place given the target buyers are typically sports and wildlife photographers.

The 1DX Mark II can shoot up to 30 minutes of 4K video with good quality. IT also has a CF and CFast card slot, the second of which will let you shoot 4K/50/60p. However, it lacks 4K external recording. The new in-camera Digital Lens Optimizer technology helps eliminate image degradation from lens aberration and diffraction – plus, it stores that data so you don’t have to register it on previously released lenses. Dual DIGIC 6+ Image Processors ensure corrections can be made with hardly any effect on speed.

The body is solid and tough. It’s heavy but designed to take a beating. The touchscreen has a good response, with a “tap to focus” feature. The new live view/video switch is handy, but that is the only significant body change from its predecessor.

Final Take:

The overall performance of the EOS 1DX Mark II is impressive and doesn’t disappoint. This is a pro camera that will appeal to a variety of photographers and videographers. For a professional camera and at the list price, it’s well worth the purchase for seasoned Canon shooters.

Nikon is one of the best DSLR brands out there. With numerous excellent DSLR camera offerings, it can be tough to know which model to buy. This guide will tell you about some of the best Nikon cameras available so that you can make an informed choice when it’s time to pick up your new camera.

Two Nikon cameras, the D5 and D500 took top spots in the “Best Overall” category. You can read our reviews of them here and here

For the Detail-Oriented: Nikon D810

The D810 is known for its incredible resolution and sharpness. This professional-level DSLR is essentially two previous models – the D800 and D00E – rolled into one super-camera.

Here are some of the key specs:

• 36.3MP Full-frame CMOS sensor
• ISO 64-12,800
• ‘RAW Size S’ 9MP Raw mode
• Expeed 4 engine
• Max 5fps shooting in FX mode, 7fps in DX
• 3.2in 1,229k-dot RGBW LCD screen
• 91,000-pixel RGB metering sensor for advanced subject tracking and metering
• Scene Recognition System (face detection in OVF mode)
• 51-point AF
• 1080p videos recorded at 60/50/30/25/24p

In addition to the great specs that make it beloved by landscape and wedding photographers alike, the D810 has a fantastic design. It’s much improved over the previous 800-series styles. In the design of both the body and the controls, it’s obvious that attention to detail played a role here, too.

The D810 is well suited to videographers, too. You can record 1080p videos uncompressed to an external device, compressed to an internal CF/SD card or both simultaneously. Additional video features, like stereo built-in mic and zebra stripes for checking exposure, are complemented by new tech like highlight-weighted metering.

For Those on the Move: Nikon D750

The D750 is less expensive than the D810 and offers some excellent features that make it ideal for active photographers. It doesn’t match the resolution of the D810, but at close to $1000 less, that’s to be expected.

Here are some of the key specs of the D750:

• Full-frame CMOS sensor, 24.3MP
• 3.2-inch tilt-angle display, 1,229,000 dots
• 1080p video capture
• 6.5 fps continuous shooting
• 51-point Multi-CAM 3500FX II AF system (sensitive to -3EV)
• 91,000-pixel RGB metering sensor with face detection
• Wi-Fi Built in
• Highlight-weighted metering
• Simultaneous internal recording and HDMI output

The D750 is lightweight and comfortable to use, and it features some of the same specs as the D810 – namely, the 51 point AF system and metering system, as well as the same video specification. However, it has faster continuous shooting than the 810, and it has a cool tilt-angle display.

The built in Wi-Fi is relevant to today’s photography needs, but with so many cameras still lacking that feature, this gives the D750 a leg up. In addition to being an excellent camera for photographers on the move, this is also a great choice for a next-level camera for those upgrading their entry-level DSLR. (Though you might also check out the D610 for something slightly less expensive but still worthwhile).

For the D750 Fan on a Budget: Nikon D7200

The D7200 still makes our list of top Nikon cameras, but we’ve gotta be honest – there isn’t too terribly much difference between it and the D750, assuming sensor doesn’t matter. There is a difference in price, and that can be a deciding factor for many shoppers.

Let’s look at the key specs for the D7200:

• 24.2MP CMOS sensor with no optical low-pass filter
• Multi-CAM 3500DX II 51-point AF system
• 2,016-pixel RGB metering sensor
• ISO 100-25,600,
• 6 fps continuous shooting
• 1/8000 sec maximum shutter speed
• 3.2″, 1.2M dot RGBW LCD display
• 1080/60p video (1.3x crop only) with clean output over HDMI and Flat Picture Control
• Dual SD card slots
• SnapBridge (Wi-Fi with NFC)

So, why might you choose the D7200 over the D750? Of course, price can be a huge factor. But the D7200 does have a few advantages in terms of specs over the D750. These include max ISO and faster shutter speed.

We’re also talking about different sensors (the D750 is full frame), so if you have gear already, you’ll want to stick to the sensor size that will work with your lenses. But if you’re making the leap to Nikon, you’ll have your decision-making work cut out for you.

For the New ‘Enthusiast’: Nikon D5600

Technically, Nikon considers the D5600 to be “Entry-Level,” but we respectfully disagree. This would be an excellent option for someone with some DSLR experience who wants a bit more in the way of options. Having said that, it is also well suited for a new DSLR convert who has a bit of money to spend.

Here are some of the key specs of the D5600:

• 24MP APS-C CMOS sensor
• 39 point AF sensor with 9 central cross-type points
• 2,016-pixel RGB sensor assists AF tracking and metering
• Up to 5 fps continuous shooting
• SnapBridge Bluetooth/Wi-Fi communication
• 1080/60p video capability
• Time-lapse movie feature

The D5600 is one of Nikon’s most recent offerings. It replaces the D5500. While there aren’t huge changes from the D5500 to the D5600, there are enough that make this the best entry-level slash mid-level DSLR out there. The price is fantastic, and the addition of Nikon’s SnapBridge connectivity is welcome (it even works a bit better here than on the D500).

It isn’t super well suited to sports or wildlife, but it does have excellent image quality. We think this model is great for still shooters – it will give you crisp, detailed landscapes and low noise (up to ISO 6400). The video quality is in line with other models without 4K, so unless you’re expecting 4K, the video capability is great.

For the Newbie/Cost-Conscious: Nikon D3400

It’s true that we think Canon has the best entry-level DSLRs, but for a new DSLR user with a budget, the D3400 is a fantastic choice. The D3400 is well priced and is a perfect introduction to the Nikon family.

Here are some of the key specs:

• 24MP APS-C CMOS sensor
• 11-point phase detect AF system
• Fixed 3″ 920k-dot LCD screen
• 5/fps burst shooting
• 1080p video capture
• Bluetooth LE for image transfer

Overall, the D3400 is in line with what one would expect for an entry-level DSLR. The price really makes it appealing, and for shutterbugs interested in joining the Nikon club, this is the most affordable way to do that. The sensor, AF system, and video specs are good for this level, and the overall feel of the body is good. It’s a lightweight, easy to use model for a newcomer to Nikon.

Though lesser known that Nikon and Canon, Pentax holds its own when it comes to producing quality DSLR cameras. It has fewer camera options than the two big names, but that doesn’t mean they skimp on quality. Actually, Pentax’s lineup of DSLR cameras is pretty impressive.

In this guide, we’ll take a look at the current (RIP K-50) lineup of Pentax DSLR cameras.

Pentax K-S2

The K-S2 is one of the Pentax entry-level DSLRs, and it has some pretty impressive additions that make it hard to resist.

Here are some of the key specs:

• 20MP – APS-C CMOS Sensor
• No Anti-aliasing (AA) filter
• ISO 100 – 51200
• Sensor-shift Image Stabilization
• 3″ Fully Articulated Screen
• 5.4 fps continuous shooting
• 1920 x 1080 video resolution
• Weather Sealed Body

The image quality of the K-S2 is excellent, and the video function and features make it a bit more competitive compared to some of the other entry level DSLRs with similar pricing. The viewfinder and vari-angle LCD are other sweet perks of this camera, making it a worthy choice for a beginner.

It is a small camera, but we like the control layout overall. K-S2 also features built in Wi-Fi, making it the first Pentax DSLR to do so. The camera is responsive and quick, with nice quality and an appealing design. If you’re into options, you’re in luck. The K-S2 comes in colors other than black. Bottom line: If you are considering Pentax for your first DSLR, the K-S2 is a solid choice.

Pentax K-70

The other entry level option from Pentax is the K-70, which is slightly more expensive than the K-S2 and billed by some as a mid-range DSLR.

Let’s talk specs:

• 24MP – APS-C CMOS Sensor
• No Anti-aliasing (AA) filter
• ISO 100 – 102400
• Sensor-shift Image Stabilization
• 3″ Fully Articulated Screen
• 6.0 fps continuous shooting
• 1920 x 1080 video resolution
• Built-in Wi-Fi
• Weather Sealed Body

The K-70 gives you great value for the money. It’s also set up with advanced weather sealing, and combined with its abilities makes it great for outdoor enthusiasts. It’s also dustproof and cold resistant. It is a very compact DSLR, so, again, it seems to be a smart choice for nature lovers.

In terms of performance, the K-70 has excellent image quality and great high ISO performance. It provides a ton of features, making it great for someone with at least some experience with DSLR. It does have built in Wi-Fi, though it is a little slow, and the battery life isn’t stellar. The articulated screen is a nice addition, and the new live view hybrid AF system elevates it a bit above many competitors.

Pentax K-3 II

We have to say it up front: one of the coolest things about the K-3 II is its ability to do astrophotography. The GPS and AstroTracer help you capture star trails quickly and easily. But there’s a lot of other things to love, too.

First, here are the key specs:

• 24.35 MP APS-C CMOS Sensor
• PRIME III Image Processor
• Anti-Aliasing Filter Simulator
• 3.2″ 1.03m-Dot LCD Monitor
• Full HD 1080p Video Recording at 30 fps
• SAFOX11 27-Point AF, 25 Cross Sensors
• ISO 100-51200, 8.3 fps Shooting
• 86k-Pixel RGB Exposure Metering
• Built-In GPS, Compass, and AstroTracer
• Shake Reduction & Pixel Shift Resolution

The K-3 II is a fairly complex DSLR – definitely not for beginners – but the additional features and functions make it an incredibly versatile mid-range camera. The body and monitor design highlight the fact that this is designed for serious photographers. There are no scene modes, and it’s completely weatherproofed.

Overall, this is an exciting offering by Pentax, especially given the price point and its ability to do neat things (we’re really very excited about the astrophotography). The K-3 II will make a great second DSLR for the enthusiast looking for more challenges and a broader range of options.

Pentax KP

The Pentax KP is very closely priced to the K-3 II. However, it has some significant differences that make it a very different option for photographers considering a new mid-range DSLR.

Here are a few of the specs:

• 24MP APS-C CMOS sensor with max ISO of 819,200
• 27-point AF sensor with 25 central cross-type points
• 86,000-pixel RGB metering sensor aids subject tracking and exposure
• PRIME IV Processor
• In-body ‘SR II’ 5-axis image stabilization
• 7 fps continuous shooting
• Interchangeable grips
• Electronic shutter up to 1/24,000 sec through the viewfinder
• Wi-Fi communication

The differences in the KP are in the max ISO, the stabilizer, and built-in Wi-Fi, which the K-3 II lacks. The KP has the weatherproofing technology, too, but it is a bit lighter than the K-3 II. The KP has a more customizable interface and some other changes in design as well.

On its own, the KP has some great specs, and the image quality is excellent. It also features excellent ISO noise control and a tilt-angle screen. Overall, the KP has some outstanding qualities that make it a good pick for Pentax fans. It also has enough differences in design and functionality that it should be easy to decide between the KP and the K-3 II.

Pentax K-1

Pentax’s full frame option is the K-1 – a full frame sensor with image stabilization. It’s well designed with photographic capabilities in mind.

Some of the key specs of the K-1 include:

• 36.2MP full-frame CMOS sensor with no AA filter
• 5-axis image stabilization rated to 5 stops
• 33-point AF system with 25 cross-type
• 1/200 sec flash sync speed
• 14-bit Raw recording (DNG or PEF)
• AA filter simulation
• Multi-shot Pixel Shift Resolution mode
• Built-in GPS with electro-magnetic compass and Astrotracer function
• 4.4 fps continuous shooting (6.5 fps in APS-C crop mode)
• 100% pentaprism viewfinder with 0.7x magnification
• Built in Wi-Fi
• 1080/30p video

Like the K-3 II, the K-1 is set up for astrophotography. You can bet that with the rest of these specs that the images will be high quality. The all-weather body is another perk (though it is to be expected, given the weatherproofing on the other models). The viewfinder is bright and accurate, too.

While it’s a bit heavy, it is compact with great ergonomics. It’s comfortable to hold for long periods of time. The LCD monitor is truly remarkable, and it features a unique articulation mechanism. With 36 megapixels, it’s competitive alongside similarly priced models. There’s a lot to be excited about in the flagship K-1, and well-priced for a Pentax fan looking to take things to the next level.

Pentax 645Z

The medium format Pentax 645Z is a favorite among many professional photographers. In fact, it earned a spot on our DSLR guide as one of the best professional DSLR cameras.

Here are some key specs:

• 51MP – Medium format CMOS Sensor
• No Anti-aliasing (AA) filter
• ISO 100 – 204800
• 3.2″ Tilting Screen
• Optical (pentaprism) viewfinder
• 3 fps continuous shooting
• 1920 x 1080 video resolution
• No Optical low-pass (anti-aliasing) filter
• 1550g. 156 x 117 x 123 mm
• Weather Sealed Body

There’s not a lot to say about this beast without a full review – it’s highly technical, and the price point makes it out of reach for many of Pentax’s primary consumers. However, if you are looking to add a professional grade camera to your bag, keep this one high on your list. There is a reason why the Pentax 645Z ranks so highly among pros.

The Nikon D610 has been out for a few years now. It replaced the troubled D600, and as of today, there are no rumors about a replacement for the D610. That’s just as well, as the Nikon D610 is a great full frame DSLR at an affordable price point.

Here are some of the key features of the D610:

• 24.3MP Full-frame CMOS sensor (10.5MP DX-format crop mode)
• ISO 100-6400 (expandable to ISO 50-25,600 equivalent)
• Maximum 6 fps continuous shooting; quiet continuous mode shoots at 3 fps
• 39-point AF system with 9 cross-type AF points
• Refined auto white balance system
• Wireless flash control
• 3.2in 921k-dot LCD screen
• Dual SD memory card slots
• 1080p30 full HD video
• Uncompressed video recording via HDMI

The D610 shoots clear images within the native ISO range. It works well in both bright light and low light conditions. It is an affordable full frame, which means the AF system isn’t quite as high as some other full frame offerings and the shutter speed is a bit disappointing.

In terms of construction, the D610 is sturdy and weather sealed, making it a good choice for outdoorsy types who encounter the elements. It is comfortable and the control layout is intuitive and good for fast adjustments. It has great color depth and a fair dynamic range.

The number one most appealing thing about the D610 is the price. This is one of the most affordable options for photographers who want to get into a full frame DSLR without paying a lot. Many of the features of the D610 match full frame DSLRs that are quite a bit more. There isn’t too much to even miss.

The only drawbacks to the D610 are a bit nit-picky but worth noting. There could be more customization options, particularly on the ‘OK’ button. Compared to competitors, the AF coverage is a bit small. The AF is slow in live mode. If you can live with those, there aren’t many reasons to consider more expensive full frame models.

If you’ve had your entry-level DSLR camera for a while, you might be wondering if it’s time for the next step. The price difference between entry level cameras and mid-level DSLRs can be pretty substantial, so it’s worth researching and considering your decision closely before spending the money.

The Upgrade Debate

A lot of people in the photography community seem to have strong opinions about upgrading DSLR camera bodies. You’ll hear a lot of “a better camera won’t make you a better photographer” and “you want to upgrade just to upgrade.”

This isn’t very helpful, and it’s actually a bit condescending. Nearly every serious photographer will upgrade their camera at some point. These statements are rooted in some good ideas that should play into this kind of decision, however. So let’s take a closer look at what they mean. 

You Wont Become A Better Photographer

This statement is mostly true in a few cases. For example:

• You don’t know your DSLR very well
• You rarely (or never) use manual settings
• You haven’t invested in any lenses or equipment
  

  

In those cases, it’s best to really assess what you want and what you’re willing to put into photography. Shooting DSLR isn’t easy, and it takes dedication and time to learn. If you have hopes that a more expensive camera will be easier and automatically elevate you as a photographer… well, we hate to break it to you, but it won’t.

Similarly, if you haven’t considered equipment besides what came in the box, you’re missing out on a lot. New lenses make a world of difference in your photography, and there are a ton of options for any camera.

You Want to Upgrade Just to Upgrade

This is very closely aligned to the “better photographer” critique we just mentioned. However, the problem with this one is that you should upgrade if you want to upgrade. And, heck, even if you fit all those bullets above and you want to upgrade your camera anyway — you go for it. Just know that your purchase might not fit your expectations.

What to Look for in an Upgrade

Upgrading your DSLR body can be advantageous if you are feeling limited by your entry-level camera. If you’ve thought it through and have come to the conclusion that you are ready to invest in a new camera body, there are a few different things you’ll want to take into consideration.

Keeping Your Gear

If you’ve invested anything at all into your camera, you’re probably going to want to make sure your replacement can accommodate your gear. This means you’ll need to stay within the brand you started with. Lenses are specific to both brand and type of sensor, so it’ll save you a lot of time and trouble if you double check compatibility before you buy.

Of course, if you are not into the brand you started with, you can obviously move to a new brand. Keep in mind, though, that you’ll have to replace your lenses, batteries, and other components that are brand-specific.

Knowing What You Need

If you’re planning to replace your camera, you’ve probably figured out what you don’t like about your entry-level. However, let’s take a look at what kinds of settings or specs you will want to seek out.

• Autofocus: you might want to have faster or more accurate autofocus
• Low light capabilities: you might want to take better shots in different light situations (psst, this can sometimes be related to lenses)
• Frames per second (FPS): you might need faster frames per second (FPS) to catch sports or weddings
• Customization: you may want to be able to change settings more easily or quickly
• Storage: you may want additional storage or a better ability to use raw

The biggest differences between entry-level DSLRs and mid-level DSLRs are overall design quality (including weather sealing), AF, and viewfinder/controls.

If you are looking for a larger sensor, you typically have to look into semi pro level cameras.

Take a look at our comprehensive guide to the best DSLR cameras to get an idea of some mid-range cameras and the features they come with.

What to Do with Your Old Body

DO NOT throw it in the trash. You can sell your old DSLR body, but we recommend keeping it for backup. Sometimes entry-level DSLRs can actually do some things more expensive cameras can’t. And, they are great to have around for backup or to teach someone else how to shoot DSLR.